By Charles Dickens
That includes a brand new advent by means of literature student Frederick Busch, the immortal novel of the French Revolution tells the tale of the brave Sydney Carton, a guy able to supply his lifestyles for a lady who isn't his. Reprint."
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Additional resources for A Tale of Two Cities (Signet Classics)
Like most of Dickens’ novels, it begins in the past, so it seems to be concerned with history. And the first words intoned by the narrative voice make up that famous sentence about the times, the age, the epoch, the season, and the fate of people in general—the “we” who regarded life as either bleak or salvational. Royalty is speared on the nib of Dickens’ pen—“a king with a large jaw and a queen with a plain face”—and Dickens swats at the governing bodies in Paris and London. He then tightens his focus, from the fate of all humankind to the fate of the characters in his novel.
We are in 1857 as Dickens in his sour marriage returns from France, where he’s been writing Little Dorrit, and, back in London, hurls himself into the second vast section of that novel as well as the preparations for a public performance, in the converted schoolroom of his London house, of the play The Frozen Deep, written by his friend Wilkie Collins. Dickens loved to perform publicly, whether in plays or readings of his works, for he could watch his audience react to his language and personality.
Small tradesmen, who did no business whatever, sometimes unaccountably realised large fortunes, and it was remarkable that nobody in the neighbourhood could endure a lamplighter. As the day declined into the afternoon, and the air, which had been at intervals clear enough to allow the French coast to be seen, became again charged with mist and vapour, Mr. Lorry’s thoughts seemed to cloud too. When it was dark, and he sat before the coffee-room fire, awaiting his dinner as he had awaited his breakfast, his mind was busily digging, digging, digging, in the live red coals.